The Electrician

A little something for your weekend fun. This is a story I wrote back in 2012 that takes place in my Future LA universe. The story is about the effects of technological change in the work place. Since I’ve lived through a massive change like this in my profession, I can appreciate both what it is like to be the new kid who rides his way up the corporate ladder by embracing the “new tech”, and yet also feel for the older guy who finds himself intrenched in the “old ways” and isn’t able to make that leap. Sometimes the new guy can appreciate the knowledge and skills of the old guard, and sometimes you can teach the old dog a new trick. 

At 6400 words its simply too long to sell in most markets. Its a good story, just not a sellable one, which is why I’m putting it up here. Enjoy.

 

The Electrician

Richard Credo walked past the long row of empty repair vehicles, and let his mind wander.

The underground parking structure showed its age. The grey walls were splotchy with dust and grime. Occasional cracks and hasty repairs marked the odd accident. The smooth floor was stained with a stream of dark spots and spills. In an effort to save energy, the maintenance system only turned on the overhead fluorescents that were nearby. As he walked, each light would flicker and sputter to life at his approach, then go off in eerily silence as he passed. The effect was like a miner traveling down a dark tunnel with a host of invisible companions lighting torches in front, and dousing them behind.

Each burst of light showed another bay, each like the last; two repair vans on either side, identical except for their bold black identification numbers and the odd scratch or dent. Every vehicle bore the logo for Grace Electric and Power on one side, and a smiling guard dog on the other, happily barking the company’s motto: “Safe, and Secure.”

Years ago Richard had walked this route every day, one of the hundreds of crews repairing and maintaining the millions of homes that contracted with GEP for their power. Today those homes were still safe and secure, a fact in which he took a small amount of pride.

Every time he started walking towards the garage Richard did so with the idea of visiting his old vehicle, maybe sitting down in the driver’s seat again just to see what it was like. But each time he made it down several flights of stairs the vehicles all started to jumble together, their numbers flashing across his mind, until he could not tell one van from the next, let alone recall which van was his own. He supposed there was something about the building with its rows and rows of identical vans that made it easy to forget, or perhaps it was the ghostly way the lights followed him around. Maybe it was the deep chill from being so far underground. In any event, he found the temporary forgetfulness soothing, like a cool drink on a hot summer’s day. Now that he was a busy department head with hundreds problems needing his attention day after day, the deep cool parking garage had become a blessing to him, a secret refuge.

Behind him, Richard sensed the lights come on at the end of the row, immediately followed by the tap, tap, tap of wooden high-healed shoes on bare concrete. He knew that sound. It was his assistant, Amanda. He stopped and watched the lights between them suddenly all came on at once, ending his ghostly reverie. He leaned against a nearby wall, and waited patiently for her arrive.

“Running silent again?” she asked when she got close enough to speak. It was an old joke between them. In all of the sprawling GEP complex, only the walls of the underground garage were not covered in smart film, and the parking structure played havoc with the network access. It was the only place a person could turn down their tablet and not be bothered by the outside world.

“Its been a busy morning,” Richard said as if this explained anything. Then changing the topic he said, “Your friend, Diana, from that museum. What’s it called?”

“The Antique Electrical Society?” she asked.

“That one. She kept calling this morning. Asking for our for help. Practically begging. And then, then…” he trailed off.

“I know,” she said in quiet sympathy.

“You know what’s funny?” he said. “In all of the time I’ve worked here, I never thought I would have to fire a friend, let alone my best friend.”

Amanda let out a sigh, but wisely said nothing.

“I kept telling that stupid cabrón to move to another division, to get out of field service, but he wouldn’t listen. We used to go camping together, fishing together, raised our kids together,” he spoke to the dark purple vehicle bay, his anger still fresh like an open wound. “And now…” he trailed off.

There was nothing more to say.

He let out a sigh and turned to face Amanda, ready to focus his attention back on the real world. “Sorry about that. What ch’a got?”

Amanda held in her hands a rolled sheet of what looked like paper. In reality it was a thin flexible screen; smart film. At Richard’s question she flipped her wrist and the film unrolled into a flat sheet. The surface filled rapidly with figures and blocks of text, each stacking on top of the next, vying for the busy executive’s attention. It was an exact copy of what the wall over his desk looked like, only this time there was something different. The upper right corner flashed the bright red of a high priority message.

“Some old man just went loco on one of our crews,” Amanda said.

“Anyone hurt?” he asked automatically taking the film from her.

“Not yet,” she said. At this he raised an eyebrow. She continued, “its on-going. Or at least was when I came to get you.”

Richard quickly brushed the upper corner of the film. A Video of a grey haired man in a bathrobe angrily gesturing at the camera filled the screen. He stood on his porch yelling at something or someone. Richard was trying to make out what the man was saying when he remembered he had turned down the sound on his tablet. Another brush from his hand filled the empty garage with garbled anger. It was gibberish. Not words. An untapped geyser of rage suddenly let loose. Richard noticed the old man’s eyebrows were gray and bushy, his face contorted, blue eyes menacing. In his hands he held a shotgun.

Richard was moving before he realized it. “The vans are still functional here, aren’t they?” he asked. His hand quickly found the answer on the screen before Amanda could reply. Behind him he could hear the tap, tap, tap of her shoes as she vainly tried to keep up with his long strides. Seemingly at random he entered a bay and placed his palm on the side of a van near the door. Almost immediately he heard the loud click of the locks disengaging. As he opened the door he handed Amanda the film. The lights inside the cab blinked on, and the tri-tone from the dashboard told him the van was operational. Closing the door, he lowered the window as he fastened his seatbelt. Only then did he notice the number on the dash. He had found his old van.

Years and years of old habits gave his hands something to do while his mind focused on bigger problems.

He turned to Amanda who stood outside the door, her arms wrapped around herself. “Looks like my day just got worse,” he said.

Amanda shrugged her shoulders, her wide face giving no emotion. The tires squealed on the smooth surface as he shifted into reverse. He opened his mouth to say something more through the open window, but all he could do was sigh.

As he drove off, he saw Amanda wad up the smart film into a ball, and toss it into a nearby trash can.

 

By the time Richard arrived, the LAPD had locked down the neighborhood and carted the old man away. Richard’s GEP ID got him past the first roadblock, and took him to the sergeant in charge. He stood around watching a few cops while they took statements from his crew. The sergeant stood under a tree pulling the feed from the smart film on the work van and all the houses around. Most people forgot that smart film was both a screen and a camera. In theory only the cops were supposed to have access the feed from your own film, but in practice it was pretty easy to find. Nowadays most people didn’t bother to change the factory password. The cop kept watching the old man step onto the porch over and over, looking to see if he actually pointed the gun at anyone, or was just threatening in general. He ran the image back and forth in slow-motion, looking at it from several angles before he finally dumped a chunk of data into a security file.

The old man’s wild eyes, his frayed and ancient bathrobe, the way his jaw worked when he yelled, all painted the same picture: Someone cut lose from the ties of society by age, and the death of friends and family, locked tight into the only place he could control, a tiny kingdom, and too stupefied at the thought of his coming demise to feel anything but rage.

When the detectives were done talking to his crew, Richard went over to see them. As he crossed the lawn he noticed the cops were already picking up their equipment.

Outside the GEP work van stood two men: Johnston and Alverez. Johnston was the younger of the two; tall and thin with light hair and mean eyes. He rarely spoke, but when he did it was with the thick accent of the east LA barrio. Alvarez was older, thicker. He’d been in field service for almost 40 years. The two had been partners for the past 10, and worked well together. They had to. Competition was fierce for the few remaining positions.

Alvarez spoke for the two of them.

“Don’t know Jefe. We got a tip last week, so we came to do an inspection. He went loco on us before we could even open the box. But it wouldn’t matter anyway.”

“Why not?”

“We got the wrong van. That house doesn’t need a repair. It needs a refit.”

“A refit?” Richard asked. “Are you sure?”

“Just look at that panel. Its got circuit breakers. Dumb ones!” he added with obvious disgust as he shook his head. “Thing’s older than I am. Hell, its probably older than you are Jefe.”

Richard scratched his chin as he thought about the scene. Then he turned back to the crew. “You two done with LAPD?”

Johnston gave a grunt. His idea of laughing. Both men rolled their eyes, but said nothing.

“In that case, I’ll finish up here. You up for the next call, or do you want me to get another crew to cover your shift?”

“Naw. We’re good.” Alverez said immediately.

“You sure?” Richard asked kindly. “It’s up to you?” Even as he said this Richard could see the men’s eyes silently calculating the cost of missing half a day’s pay. They glanced quickly at each other.

“We’re fine Jefe,” Alverez said without emotion. “Just shook up. That’s all. Loco bastard.”

“Yes,” Richard readily agreed. “Crazy.”

 

With the cops gone, and the neighbors back in their homes, Richard walked over his the van and pulled out his tool belt. Putting it on was like putting on a different person. Like stepping into the past; back when driving to the next repair was his biggest concern, and complaining about management was a competitive sport. He cinched the buckle, and checked all the pouches. Everything was still there. Closing the van’s door he quietly walked up to the house.

12378 Miranda was old. One of the many post-war houses thrown up in the San Fernando Valley after WWII. The plaster on the walls bore the pock-marks of past repairs, but the paint was still good. He reached out and touched the wall. Unlike the rest of the houses in the neighborhood it was the real thing, not an image on smart film. It’d been a while since he seen a wall that wasn’t screened.

The door on the electrical service panel in the back was still open, the screw used to secure the access cover laid carefully on the bottom. As Alverez had said it was full of circuit breakers. Dummy switches, as the crews liked to call them. It wasn’t the six breaker panel of the original 50 amp service, so sometime in the past the panel must have been upgraded, but still it was very old. Richard carefully checked the box to see if it was live–one never knew when dealing with equipment this ancient–then he pulled off the access cover and looked inside.

What he found was not what he was expecting. He looked at the circuits, and then at the house, and back at the circuits again. Then cursing under his breath, he put the access cover back in place, careful to secure it with the screw, and then closed the door. He was already making calls before he got back to the van.

 

***

 

That evening Richard was sitting in his living room going over the video of the old man again and again. His wife, Patricia, sat on the couch watching TV on the opposite wall.

At some point she turned off her show to stare at him, although he didn’t notice when.

“What?” she said.

“Huh?” he said looking up from his screen.

“You. You’ve been looking at the screen wearing that sad-sack face all night. If you do it any longer I think I’m going to scream.”

“Sorry,” Richard said, self-consciously putting the tablet down, “I didn’t realize…”

She waved her hand, “Oh don’t get in a huff about it. Its not a big deal.” She patted the seat on the couch next to her. “Come over here and tell me about it.”

Getting up from his chair, Richard sat down and told her about his day.

“So he’s just some old nutter then?” she said when he finished his story.

“Is that a technical term?” he asked innocently.

“Don’t you start,” she said.

“Hey, don’t get mad at me. I’m not the one who’s a Psychologist here.”

She smiled at his banter. “Okay, so do you really think he’s mentally incapacitated?”

“That’s the thing. He isn’t.”

“What do you mean, he isn’t? Waving a gun and yelling like a fool is now considered sane?”

“No,” he said, “Its not that. In fact, I thought the same thing until I saw his access box.”

“His box?”

“Yes. It was immaculate. Not just clean. Perfect.”

“I’m not following you here. What does his box have to do…”

“With his sanity? That’s the thing, it doesn’t. I keep looking at the events, trying to find some clue. Everything I see shows him to be a crazy old man. A nutter, like you said. But his service box was so nicely put together that it couldn’t belong to the same man. A man could not be that crazy and yet still have a box so tidy like that. Something doesn’t add up. It just doesn’t makes sense.”

“Did you check with his psych at the hospital?”

“As much as he could tell me, patient privacy and all that.”

“What’d he say?”

“He’s a she, and she said he was perfectly fine. He’d just forgotten to take his meds.”

“Hum,” Patricia said. “The classic non-answer. Do you think it might be true, at least in this case?”

“Judging by his access box, I’d say yes. But I’m not a psychologist.”

“Yes I know you’re not dear. Someone had to be the sane one in the family,” she said with a smile. “Can’t you just send in a repair crew while he’s still in the hospital?”

“It’s more complex than that. Alvarez was right. He doesn’t need a repair, he needs a whole replacement.”

“And you can’t do that while he’s in the hospital?”

“Not without his permission, no.”

“Hum,” she said starring off into space in thought. “Did you ever think that maybe you’re trying to fix the wrong thing?”

“What do you mean?”

“Well it seems to me you’re looking at this as if it is an electrical problem.”

“Well, I do work for Grace Electrical and Power.”

“I know, silly, but you’re the President of Customer Support, not the head of field service.”

“And…”

“And you have a customer that needs support.”

“Okay,” Richard said sounding skeptical. “If that’s true, then my ‘customer’ is in the mental ward at the local hospital. How am I supposed to support him?”

She shrugged her shoulders. “How should I know. I’m not the one with the 192 empathy score.”

“A point which you seem to remind me of, every day,” he added dryly.

She snaked her arm around his shoulders, and brought her face close to his. “That’s because its your best trait,” she whispered softly into his ear, “after your taste in women.”

“Woman,” he said. “Not women. I got lucky enough with the one, and I’ve worked hard since to keep it that way.”

“Good answer,” she said nuzzling his ear. He was still staring at his tablet when she added, “Don’t worry honey. You’ll think of something.”

“You think so?” he asked, the problem still obviously on his mind.

“Of course, honey. You always do,” she said with surety.

He set his tablet down on the floor. “Thanks honey. I don’t know what I’d do without you.”

“Probably just starve. That or be a nervous wreck.”

He laughed at her joke. “Hey don’t you want to go back to your show?”

“No,” she said looking him in the eyes. “I’ve got a better idea. I’m going to hug my husband. He looks like he could use one.”

“Oh my God. Is he here?” Richard asked in mock fear.

“Oh yes,” she said as she turned into him, sliding one arm behind his back and wrapping her other arm around his shoulder. “He’s here all right.”

For the first time that day, Richard truly smiled.

 

Late the next morning Amanda walked into Richard’s office to find him hunched over in his chair, head in his hands, and practically every flat surface in his office layered with electronic files.

“Wow,” she said, more in surprise than anything else. “I love what you’ve done with the place. Is it Early American Tornado?”

“Did you know,” Richard said without looking up, “That HB 1615 was proposed by 136 Representatives, but only passed by 128?”

“Hum,” Amanda said. “Been at it long?”

“All morning. I skipped the gym to come in early,” he said as he pointed to a rather stupendous stack of legal files on his desk, “and then fell into that mess. Do you have any idea how many aides worked on this legislation?”

“More than five?”

“More than 100. And each one wrote worse legalese than the one before.”

“That bad, huh?”

Richard gave a groan and sat up. “Worse. I’m telling you, their should be a law against lawyers.”

“Like that’d work,” Amanda said with sarcasm. “By the way, Patty called me this morning to tell me you were in a tear. I can see she didn’t exaggerate.”

“So my wife’s minding me again,” he said.

“Someone has to,” she replied. “I can see I waited too long to intervene. Its going to take me hours to get the place back under control.”

“Hours?” Richard said, “for e-files that go back where you want them to like that?” He touched a button on his tablet and in a flash every surface of his office was clean. “Now who’s exaggerating?”

Amanda stuck out her tongue at him. “Show off. I just came to tell you I’m going down to the cafeteria to pick up some lunch. Want me to get you something?”

“Sure,” Richard said distractedly, “why don’t you…. Wait a minute. What did you just say?”

“I’m going down to the cafeteria…”

“No, no,” he said waiving his hand. “Before that.”

“You mean about it taking hours for me to get this place under control?”

“That’s it!” he said.

“What’s what?”

“Control. That’s it.”

Amanda looked him funny. “Why do I get the feeling, that I walked into a conversation you were already having with yourself?”

“Because you did,” Richard said good-naturedly as he got up and grabbed his suit coat. “Where did you say Mr. Souter was?”

“I think he’s still at Cedars.”

“Do you know what their visiting hours are?”

“No, but I can look them up.”

“Excellent.”

She looked confused. “I don’t understand. So you don’t need a repair crew?”

“For this job? No.”

“Are you sure? Alvarez said he could do it.”

“Oh I’m sure he could,” Richard said. “I very much doubt there’s a maintenance issue that man could not solve. Him and Johnston, that is.”

“But…”

“You see, it’s not a maintenance problem, Amanda.”

“Its not?” she said, sounding surprised.

“Not at all. His electrical system is just fine. In fact its absolutely perfect.”

“So twentieth century electrical wiring is now perfect? Um, Boss. Are you feeling okay?”

He turned to her and smiled, his arms going wide as if to encompass the entire office. “Never felt better,” he said, and suddenly he realized it was true.

 

 

***

 

Richard knocked on the doorframe outside the hospital room. The door was open, but Richard preferred to be polite. A bored looking cop sat in a chair by the nurse’s station, otherwise the hall was empty.

“Come in,” said a shaky voice.

Richard entered the room to find a man sitting in a chair, the nearby bed lay empty but jumbled from recent use. The curtains on the window behind the man were open, allowing the bright afternoon light to fall inside. Richard had to squint to see.

“Are you Mr. Souter,” he asked.

“Who wants to know?” said the man.

“I’m Richard, Richard Credo. From Grace Electric and Power.”

At the mention of Richard’s company the man’s face turned dark. “Look Mr. Creapo, or what ever it is,” the man said as he started to get up, “If you’re here about the wiring you can just forget it. I’m not letting you guys near my house. Do you hear me?”

“Good,” Richard said firmly.

There was a pause. This was not the answer the old man had been expecting. “Good?” he asked.

“Let me be frank with you, Mr. Souter,” he continued before the old man could say more. “Some of my technicians are pretty sharp, but they don’t know shit about old electrical systems like yours. Truth is, if they tried to do anything to your wiring, chances are they’d screw it up, and likely get injured in the process.”

Mr. Souter stared at Richard mouth agape, as if he had grown a third arm. Then he remembered to speak. “Darn straight,” he said with conviction. Then he stopped. “Wait,” he said confused. “I don’t understand. You say you’re not here to convert my wiring?”

“Wouldn’t dream of it,” Richard replied.

“Then why the hell are you here?”

“Well,” he said with a shy smile as he reached over and pulled out the second chair in the room, “funny you should ask. You see, Mr. Souter, I have a problem.” He drew the chair up near the old man, and sat down across from him. The old man waved his arm for him to continue.

“I take it you know about our PTPI systems?” He pronounced the acronym tee-pee.

“Point-to-point intelligence,” the old man said.

“And about HB 1615, the Electrify America Act?”

“I should think so,” he grumbled. “It’s what put me out of a job.”

“That’s right,” Richard said, ignoring the comment as he pretended to search on his tablet for some information. “You’re an electrician by trade aren’t you?”

“Used to be,” the man responded. “Before them damn computer things took all the smarts out of it.”

“Smarts,” Richard said. “I don’t follow.”

“Back in my day,” the old man said, “you had to be smart to be an electrician. Make a mistake and you get more than shocked. You could get killed.”

“That so?”

“I’ve seen it happen. Its not pretty. But now, with all those computerized panels, receptacles, and such, all the smarts are now in the wires.”

“Well not to defend it,” Richard said, “but I think that was the idea when congress passed the act. To make it so no electricity flowed except where it was wanted.”

“Well they got that alright, and I can see how it helped out the boys trying to manage things on the grid, but it also made your guys stupid.”

Despite himself, Richard felt his anger start to rise. “Stupid?”

“Now don’t get all bent out of shape. I’m not talking about you. Just take a look at your technicians. Time was when each one of them had to be an electrician to do their jobs. It was a craft that they had to master, tests that they had to pass, information that was handed down from father to son. I know, I used to teach them.”

“Is that a fact?”

“Yes. And all that skill, all that training, all that knowledge, that represented a trade. And it was a good one. Good enough that if a man was sharp he could buy a house, maybe have a wife and a family.”

“And that’s gone now?” Richard asked.

“You said it yourself. Your crews can no longer manage electricity. All they can do is lay cable, and plug stuff in. They’re no longer smart about electricity. Why? Because they don’t need to be. All the smart is in the wires.”

Richard said nothing, sitting there and staring off into space. The old man was right of course. It was the same old argument he used to have with Hector, back before he went into management while Hector stayed in the field. Hector used to swear that the company preferred the PTPI system because it saved money by hiring cheaper less experienced service techs. And he was right. Right up until the day they let him go for being too experienced for his job.

Richard let out a weary sigh. He turned to see Mr. Souter was staring at him.

“You’re right, of course,” Richard said waving a hand as if in surrender.

“Yes.”

“But that’s not why I came,” Richard continued.

“Then what is it you need?”

“You see, HB 1615 specifies that our computerized systems need to be tested every 10 years against a standard electrical system, to make sure they match or exceed its performance.”

“And…”

“There’s no standard electrical systems left to test against.”

“There isn’t?”

“They’ve all been converted over.”

“Is that a fact?” Mr. Souter said looking thoughtful as he crossed his arms. “Are you telling me you need a control to test your fancy tee-pee system against?”

“Yes. That is exactly the word for it. I need a control.”

“Then why didn’t you say so? I’ll be happy to pit my wiring against anything you’ve got, any day of the week. Heck, I’ll be looking forward to it.”

“Really,” Richard said, not believing his luck. “You will?”

“Sure,” Mr. Souter said holding out his hand. “When do we start?”

 

***

 

The next Saturday found Richard and Mr. Souter (“call me Lee”) pulling off the access cover to the service panel.

“Wow,” said Richard. “That sure is clean.”

“Yep,” said Lee. “Had to be. I told you I used to teach at the local college right?”

“Yep”

“Well, I used to use my house for the final exam. I had them go over everything; from checking every circuit, to testing for grounds.”

“Is that why everything is labeled so well?”

“Had to be. Half of them would get it wrong otherwise.”

Both men laughed at this.

“So,” Lee said pointing to the complex device in Richard’s hand. “How’s this thing work?”

“Simple enough,” Richard said as he dusted off the main testing rig. “First we pull all the breakers here, and set this thing in their place. See these brackets? They go right in the spaces for the breakers. Then we go around the house, and replace all the switches and receptacles with these,” he said as he held up a bag of smart switches.”

“And then what?”

“Then we power it up, and let it do it’s thing.”

“That’s it, huh?” Lee said.

“Pretty much.”

“Hum,” Lee said. “Its not permanent, right?”

“Oh, no. That’s the beauty of it. We can pull this thing back out just as fast as we put it in. You can keep it, or take it out. Its up to you.”

“So, there’s no basic changes to the electrical plan?”

“Are you kidding? I wouldn’t even know how to do that. Remember, ‘Your crews can no longer manage electricity’?”

“I said that?”

“Yes you did.”

“So, you want me to install this testing rig?” Lee asked.

“What I want you to do,” said Richard, “Is manage the project. I don’t care which of us does the work. I only care that the guy who knows the most is the one in charge. ¿Comprende?”

“Gotcha,” Lee said. “In that case, the first thing we do is cut the power to the panel.” Lee reached up and flipped the main breaker at the top. “Cause if I’m putting my hand in this box, then I’m darn well going to be sure its safe first.”

Richard handed him his father’s old multimeter. “Lets test to see if its hot, just to be sure.”

Lee smiled. “Good idea.”

 

A few hours later all the parts were in place and the test rig was turned on. Richard was running through the read-outs while Lee was checking them against an old notebook.

“Okay, circuit twelve,” Richard said.

“Ready.”

“It says there are 4 receptacles on this circuit, with 12 meters of AWG 14 wire to the first receptacle, and 5 meters between the others.”

“Anything else?” Lee asked.

“Yes. Its telling me that the wire to the last receptacle is not 14 gauge, but 16. Is that so?”

Lee looked down in his notebook. “Check.”

“Really?”

Lee smiled.

“You must have been one right bastard of an instructor.”

“Lets just say the kids had to earn their As in my class.”

“Okay, last circuit.”

“Ready.”

“Ah, it says this powers four lights fixtures with six different switches. Is that so?”

“Check.”

“And, wait a minute. It says there’s a problem with the ground on the first switch.”

“It does?” said Lee innocently. Then he reached into the service panel and flipped a small switch almost hidden in the wires. “What’s it say now?” he asked.

“Tricky, tricky. How many students did you get with that one?”

“Almost all,” Lee said.

“Wow. Well, that’s it, then. How’d we do?”

“I’m impressed,” Lee said. “Your tee-pee box got one hundred percent on my final exam. That’s pretty darn good.”

“One hundred percent? Really? I think that calls for a celebration. I’ve got a cooler in the van. Fetch you a cerveza?”

“Maybe just the one,” Lee said.

The men moved to the porch where they rested, tired and dirty, sipping their beers. After a long pause Richard finally asked, “So what do you think of the tee-pee? Not bad for a dumb computer system, eh?”

Lee took a log sip, tilting his bottle back before answering. “To be honest, it worked much better than I thought.”

Richard was careful not to smile. Lee continued, “I don’t know what I was expecting.”

“The fifth horseman of the apocalypse, maybe?”

Lee laughed. “Maybe. I don’t know. It just seemed to come on so fast. One minute everything was normal, the next…”

“… you’re suddenly looking for a new job,” Richard finished soberly.

“Yeah. Happen to you too?”

“No. Just my best friend.”

“Ouch.”

“And the worst thing is, I’m the guy who had to fire him.”

“Really? That must have hurt.”

“Si.”

“So, your friend,” Lee said, “didn’t he see it coming?”

“Yes and no,” Richard replied taking a sip. “He saw it coming. He just didn’t want to do anything about it.”

“Wanted to ride the lightening all the way into the ground?”

“Something like that,” Richard said bitterly. “And there wasn’t shit I could do about it.”

“Bummer.”

“Yes. Some things you just gotta live with, you know.”

The two men sat together in silence, sipping their beers.

“Uh, let me ask you,” Lee said staring off into the distance, “Your friend. Do you think he was a fool, too proud, something else altogether?”

Richard finished his beer with a long swallow. “Does is matter?”

“I suppose not.”

There was a long pause as both men stared into their bottles. “Look,” Richard said breaking the silence. “Do you mind if I ask you something?”

“Let me guess? Is it about the other day?”

“Si.”

“No.”

“So, what happened?”

“Those dam pills the docs give me. They work just fine. The problem is I can’t seem to remember when to take them.”

“Oh,” Richard said thinking quickly. “And all the pill reminders they give you only work on a tee-pee system, right?”

Lee nodded his head. “I must be getting old, I can’t seem to remember anything.”

“Well,” Richard said, “I think I have one of those old converters in the truck. You know the ones that allow a tee-pee device to run on a dumb system.”

Lee looked off into the distance again, thinking. “No,” he said after a while. “Its okay. I proved my point.”

“What?”

“Lets leave the new panel in.”

Richard looked at him, surprised. “Are you sure, Lee?”

“Sure I’m sure. If you can live with it, I guess I can live with it too.”

“You make it sound like its a horse pill. Its not as bad as that, is it?”

“It is if you ride it all the way in. Believe me. I’m just happy I don’t have to make the same mistake twice.”

“Is that a fact?” Richard said, unsure quite what to say.

“Uh, huh.”

“Well,” Richard said. “You wanna see how these new receptacles work?”

“I don’t know,” Lee said with a smile. “Are they difficult to use?”

Richard laughed. “For some maybe, but I doubt they’ll prove a problem for you.”

“That easy are they?”

“That, or you’re especially smart. Take your pick.”

“In that case, I’ll take what’s behind door number one.”

“Sorry?”

“Never mind,” he said. “It’s an old joke.”

 

***

 

The next week was a busy one for Richard, but he still found time to make one call. Amanda, his assistant, discovered this when she entered his office.

“No Diana,” Richard was saying, “he isn’t the least bit dangerous. The police told me there a mix up with his meds. Nothing more. But you know me. I went and checked him out personally. Even spent a day talking with him. He’s sober as a judge, and twice as sharp.”

Richard waived Amanda into the room while he continued to talk. Diana appear in a large window on the wall opposite his desk. Under her image were the countless emails and notes of a busy executive. The sound was set to his earpiece. Richard switched the audio to the room speakers so Amanda could hear as well.

Diana was asking, “…he knows antique electrical systems well? We may be private funded museum, but we’re also open to the public. We can’t afford to injure anyone, especially with a new exhibit.”

Richard smiled, as he caught Amanda’s reflection on the wall. “You can ask Amanda here if you like. I went over to his place myself just to check out his qualifications.”

“And…”

“And he is by far the most knowledgable person about old style electrical circuits I have ever met. His work is quite incredible.”

“So you’ve seen it?”

“First hand.”

Diana looked relieved, but then glanced over to her notes and read something else. “But can he deal with a mixed electrical system as well? Some of our circuits are the more modern ones. What do you call them?”

“Tee-pee,” Amanda said. “P-T-P-I. Its an acronym that stands for point-to-point-intelligence.”

“Point to point?” Diana said looking confused.

“It just means,” Amanda explained, “an electrical system where every receptacle–you know the socket you plug your hair dryer in–is smart enough to ask for the electricity you need before you use it.”

“Really?” Diana said. “It asks first?”

“Sure,” Amanda continued. “And if the main box–the place where the wires come into your house–if it doesn’t like what it sees, then there’s no electricity.”

“None?”

“None at all. That’s why its so safe.”

“And why,” Richard added,” its so simple to use.”

“So this Mr. Souter can do these kinds of electrical circuits too?”

“In his sleep, Diana. Trust me. He’s the best.”

“Well thank you then Mr. Credo. I can’t tell you how much this recommendation means to us.”

“Think nothing of it Diana. Just doing a favor for an old friend.”

“Well, thank you again,” Diana said. Turning to face Amanda she added, “and you too, Amanda sweetie. I’ll call you tonight. Good bye now.”

“Good bye,” Richard said.

“Good bye,” Amanda added.

The window closed up, and the busy wall quickly reordered itself for the next item.

Richard sat at his desk, looking up into Amanda’s eyes. “What ch’a got?” he asked.

“Nothing important. Just some things for you to sign,” she said as she slid a small pile of documents from her computer onto the corner of his empty desk.

“Hum, I see,” Richard said, already distracted by his ever changing wall.

Amanda got up and was almost out the door when she stopped. “Do you think he’ll be okay?”

“Who,” Richard asked still looking at his wall.

“That old guy. You know, Mr. Souter.”

“Lee? Sure.”

“But isn’t he a lot like Hector?”

Richard turned away from his wall long enough to look into her eyes again. “Yes. No. Lee, he’s…”

“Different?” Amanda offered.

“Sure. Different. He’s a tech, just like Hector, and he thinks like a tech, but there’s something else about him. Something different.”

“He can be wrong,” Amanda suggested.

“Yeah,” Richard said nodding his head. “He knows how to be wrong, and yet still be right. If that makes any sense?”

“Sure,” said Amanda. “It does. And thanks,” she added.

“For?”

“Helping my friend. For helping both of them really.”

“Eh, Its nothing,” he said.

“Really?”

“Si.”

Amanda closed his office door gently, but by then his attention was already back on the wall.

Looking for beta readers

After a hectic week I finally got some time this weekend to look through some past stories, and in doing so ran into a conundrum. There’s this one story I recently wrote that I really really like; its got drama, pathos, unexpected death, weird sic-fi future stuff, everything you could want in a story. Except for one tiny detail, its not any good. Oh there are parts of it that work, but as a whole the story fails.

Which leads me to my dilemma. See when I’m in the middle of a story, I really LOVE that story. I have to, or I can’t write it. The problem is, some of my stories are of the “only a father could love” variety (like this last one), and some of them are pretty good. Only I cannot tell the difference when I’m writing them. I need several months away from a story, pretty much to forget most of it, in order to have enough distance to tell if its working or not.

Perhaps every author does this as well. I don’t know. What I do know is that I need a way to tell if my stories are working or not. An outside objective source. In other words, I need beta readers.

What I’m looking for is a straight thumbs up or thumbs down. If a story isn’t working, I need to know. You can tell me where its not working if you like. You can point it out exactly what you think the flaw is (that guy with the peanut up his nose just doesn’t work for me). But if you can’t, that okay to. I’m not looking for expert literary criticism, and I’m not asking for help with copy editing (grammar and spelling). The former because I don’t know enough to care, and the latter because I spell so bad its only fair that I pay someone to fix it. I’m just looking to see if the story is up to snuff.

And note: Honesty here is requirement. If you’re too worried your going to hurt my feelings, then please don’t sign up. I’d rather have a friend tell me a story sucks than have an editor wonder why I’m sending her crap stories.

If you are interested please comment here, or send me a private message on Facebook. I’ll be needing your email addy and that’s it. Stories will go out via email, as posting them here is considered publishing. (I’m not interested in publishing my own stories if I can get someone else to do it for me.) I promise not to send out more than one story a month at the very most, so its not a lot of commitment.

Thanks for helping.

Its a whole new year…

and while everyone in the world seems to be putting up blogs about New Years resolutions and such, I’m not feeling that love. But before the year ended I did find the time to put on my hard-hat and work clothes, and take a tour of the Tolladay Story Mine looking for lost stories and stray bits. As it happens, I ran across at least 10 different stories; some so small they practically fit in your hands, and others large enough to require a cart to move them.

Over the course of this new year its my goal to dust these lost stories off, clean them up as time allows, and place them here so you can look at them and marvel at their beauty, or alternately loathe them for their sad and pittiful construction. Alas, no other response is allowed.

As I stated the other day on Facebook, my only real goal this year is to write stories so incredible that once started they cannot be put down. Stories that sweet-talk you into a dark allay, and then smack you over the head. Leaving you dazed and confused, and not exactly sure where your time or your wallet went. Literary mugging, as it were.

To that end I started a new story on the 31st, and got most of it completed on the first. Its got high school aged friends at that awkward juncture where the new love interest starts to supplant the long-supporting friends. But because its comes from my fevered and twisted mind, its got computers, technology, and theaters from the future where one visits the “great outdoors” by walking into a building. Yes, I do love me my irony.

Look for it and other stories soon. I should put one up over the next day or so, as soon as I have time to go over the list and see which one requires the least amount of work. Alas, much as I love doing this, I also have a job, a family, and a house-note to cover. But you can be sure dear reader I am thinking of you.

Oh, and tell your friends.

A story fragment from a dream

I had the most unusual and vivid dream the other night, and promptly wrote this down when I got up. Its not a story, but a fragment of one. I don’t have any idea who the protagonist is, beyond what you can read here, and I have no idea what his story is, or where its headed.

Stories are like that for me. They come on in inexplicable ways, and often the only way I get to discover the plot, is to write them. A bit like reading a mystery that you also happen to be writing. 

I have another story that started from a dream like this. It eventually ended up being The Peaches of Saint Ambrose. Whether this particular story ends up anywhere I don’t know. I’m neck deep in half-finished stories, and need to focus on finishing many of those before starting on this. I just thought it would be fun to show you what I start with. 

And note: this is unedited beyond my simple spell-checker. 

 

Story Fragment from a dream
12/29/13

It was Christmas time and a friend of my Mum’s was visiting. They had been close mates in University, or so I later learned–I was too young at the time to make such distinctions. All I knew was that he was a fancy Director of several well received plays in London, for which he gathered no small respect from the family, and the servants, and that he was different.

He arrived in the evening, well after dark, for my first recollection of him was of our butler Harold taking off his coat in the entryway, and seeing light snowflakes falling through the open door behind him in the porch light. Mum rushed past us to embrace him warmly, much like she did our father when ever he was away, and then she drug the man into the main room where there was a party going on in his favor. I remember many toasts, and backslaps. Everyone seemed quite proud or happy for him.

Later that evening the Lady’s Maid, Sophie, gathered us up and tucked us into our beds, as our nanny, Mrs. Perkins, was away for the holiday.

The sounds of the party still going on in the distant hall must have lulled me to sleep, for my next memory was the shifting sounds of a lady’s skirts swishing past as someone strode swiftly down our hall. Then my ears detected other noises; a soft voice here, a door creak there, all sounds that were familiar, and yet also somehow wrong.

I got up, putting on my robe and slippers–without any help, something I was quite proud of at the time–and quickly made my way downstairs. I followed the noises to the small courtyard that separated the main house, or the keep as we called it as kids, from the guest quarters. The door to the main guest room, the one we kept for special visitors, was wide open, and outside in the cold air huddled most of the servants. Mixed with them were the dull colored uniforms of the local constable, which I could just make out in the thinly lit night sky about an hour before dawn. It had stopped snowing in the middle of the night, leaving the sky open and clear. Among the people standing there I discovered my mother, with her ungloved hands at her sides in the bitter cold, and her face a white mask. I put my tiny hand inside of hers, feeling the cold of her fingers as she gripped my hand tightly, and lead her through the open door.

I was always a curious child, and when I discovered something of interest, ignored all entreaties from servants and family alike until I had searched out my quarry. This case was no different. Mum had always encouraged me in my little pursuits, much to the chagrin of the staff and of my father, something I was sadly never able to thank her sufficiently for later. This time it proved fortunate for it established a habit in the staff that allowed us to enter the room against the voicing of the servants and the investigators. They were so used to me having “my own way” that they put up little resistance.

Inside we found the rooms clean but in disarray. Uncle Stephen, which is what we called Mum’s friend, must have unpacked only a few things, and then sent the servants back for the night. I saw a half filled wine glass casually set on an end table, a brightly colored ascot discarded nearby. The type of thing that Harold would have made sure was tidied up in the morning before breakfast. Seeing them out like that was more disconcerting than the uniformed investigators asking questions, or the worried faces of the staff.

We walked right by the open door of the bedroom which was filled with people surrounding the bed. Mom clenched my hand at the sight of Stephen’s body covered completely in sheets, but I pulled her on towards the next room. It was there that I found what I was looking for.

The room was a dressing room attached to the main room by a large wooden door, which was fortunately closed at the time. Uncle Stephen’s bags and cases were laid about, some of them still unpacked. What drew my eye was a stack of thin papers, books I was later to find out, laid on top of on of his cases, and neatly wrapped in a bright blue ribbon. Under the ribbon was a small tag reading “for my lovely Kate,” in a small neat hand. I field a shudder in Mum’s hand, but continued on in any event. The ribbon opened with a gentle tug of my free hand and exposed the papers fully. It was a stack of several small books, more like pamphlets in size, on top of a few very large ones. I set the smaller book aside to reveal the larger ones. The first book was a large folio titled A Medieval Tracing Book, the font of which still sticks in my mind of being exemplary of the Art Nouveau period. I opened the cover to discover page after page of die-cut shapes stamped into thick paper, their faint outlines barely visible in the room’s light. There were castles, and fairies, dragons, and knights. I recognized the type of book immediately as they were the kinds of shapes Mum used to cut out of felt for use in our puppet theater. Daisy, Freddy and myself spent many a lovely hour making up grand stories with those shapes and our puppets. It was one of our favorite games. I had often wondered at the source of those shapes, for much as I loved my Mum I recognized even then she did not have the quality of drawing necessary for such marvelous props.

I felt such a stirring of my heart at the moment, for I recognized in an instant the mysterious source of our props, and yet held the certain knowledge of their demise–both of which lay within the body of the man cooling in the bed next door. It was a moment of discovery for me that is hard to describe. At once both joyful and yet bittersweet.

It was with this feeling that I closed the cover of the folio and placed the smaller pamphlets on top. A casual glance at these revealed another mystery. Like the folios they were old, their paper yellowed with age, but in otherwise excellent condition. The pamphlets appeared to be small plays by their layout, but the titles eluded me. One was called “A Man Called Dick,” another was, “A Horse in my Mouth.” They were words I recognized, but they did not make sense to my child’s mind. Both were authored by the same man, one Richard A. Johnson. It was a name I did not recognize, nor would I until much later when a ribald comment brought forth the titles to my then adult mind, and I suddenly understood their significance.

I remember placing the pamphlets back on top of the folio, and replacing the ribbon as best I could with only hand. Mum remained next to me, glassy-eyed and silent, watching my every move as from a distant peak. When I lead her outside to the coming dawn I had no idea that Uncle Stephen’s last gift to her would be confiscated by the authorities as pornography, and kept away from the family until they were returned to us, many years after her death.

Perhaps this was the saddest part of all, for I’m quite sure, had she kept these books in our library, she would have chanced upon them in her later years, and they would have filled her eyes with fond memories. And I have no doubt Uncle Stephen would have liked to be remembered in exactly such a way.

Lyrics in need of a song

After traveling up to Fresno for a few days to help with my parents who independently found themselves both in the hospital, I came back home to discover my heart feeling like it was ripped open and all my emotions welling on the surface, ready to bubble over at the drop of a hat. Even simple things like driving home on a cloudy day seemed filled with import, and a casual song, or the sight of orange and gold leafs fallen on the ground, will trigger deep emotion.

While I consider myself a sensitive artistic type, this is definitely not my normal method of living. In the past, when my heart was more often found on my sleeve, I used to rely on poetry to help work out what was going on inside. I have pages and pages of poems from my single days, some of the terribly maudlin, and some more prescient, but as an literally form I haven’t attempted poetry in quite a while.

That is until today when the idea for a song popped into my head. I got home and typed it up, not really thinking much beyond just trying to keep it simple. I know some of my friends are songwriters. If you’re interested in putting these lyrics to music, please give it a go. With my blessings, for whatever they are worth.

 

The Goodbye Song
12/19/2013

I’ve got four verses to tell you,
all the things you’ve meant to me.
And though the chorus will help out some,
still there’s so much more to see.

CHORUS
The radio’s on and the leaves are falling,
and the clouds have covered up the sky.
I cried for you when they said you were dying,
but I never thought to say goodbye.

I’ve got three verses left to tell you,
about the futures that we had,
How I planned to share them with you,
both the good days and the bad.

CHORUS
The radio’s on and the leaves are falling,
and the clouds have covered up the sky.
I cried for you when they said you were dying,
but I never thought to say goodbye.

I’ve got two verses to tell you,
but the words just come out wrong.
The swirling chaos of my feelings,
are somehow stuck within this song.

CHORUS
The radio’s on and the leaves are falling,
and the clouds have covered up the sky.
I cried for you when they said you were dying,
but I never thought to say goodbye.

BREAK
It was sunny, when the call came,
now my chest hurts, in the cold rain,
And I’m stuck here in the breakdown,
with no one left to hear this sound.

I’ve got one verse left to tell you,
before they put you in the cold cold ground.
But there’s nothing left to say to you,
you cannot hear a sound.

CHORUS
The radio’s on and the leaves are falling,
and the clouds have covered up the sky.
I cried for you when they said you were dying,
but I never got to say goodbye.

A fist full of ideas

I was going over my computer, cleaning things up while I was waiting for a very large file to upload, and I noticed my writing program (Nisus Writer Express) had about 20 files open. Part of the way I work is to leave open files of stories or ideas so that I run across them every time I start the program. As a system its a bit chaotic, but its helps me remember the odd idea. But 20 is a bit more than I need, and it was starting to clog up my screen space. So I started going through them, and you know what? There’s some really cool ideas on my computer just waiting for me to have time to flesh them out. Like a time traveling princess who becomes an ambassador, or the geek guy whose first date with a hot girl ends with piles of dead zombies. Its funny how quickly I forget.

I’m still working on my middle grade novel, Order the Goddess of Small Machines. I got in a few chapters yesterday. I’m up to 17 I think. I doubt it will get over 25, so I’m on the home stretch. Alas, rereading the beginning the other day proved to me that the first few chapters need some serious clean-up. Once I get through that I’m thinking of putting it up here a chapter at a time. What do you think?

Wisdom

Another story for your Halloween mood, this one a bit more intense. Its part Twilight Zone, and part pure unadulterated ugly. The closest I’ve come to writing a character that is unambiguously evil. Yes, it was terribly fun to write.

Happy Halloween.

 

On a dark morning many years ago, I had a visitor, a supplicant. He was ushered into my audience room by one of my servants. I watched him fidget nervously in the chair through a peep-hole I had installed for just such an occasion. He kept looking around the room, staring at the rich furnishings, the mystic symbols of gods and goddesses, the statues, the elegant drapes – everything carefully illuminated by candlelight. Everything perfectly designed, using the heavy club of mystery and the unknown, to crush all intelligent thought, all reason. As I watched, my servants prepared my person with makeup, elegant robes and the finest of perfumes. Every part of my skin was cleaned and well oiled, my hair was lacquered into a strange and terrible coif, every ring and trinket was shined to an opulent glow.

All the while I observed the supplicant carefully, noting the subtle signs of his mood. Waiting for the moment when he stopped thinking about the room and started to think about himself. His mood subtly changing from fear and confusion to concern and indignation. At that exact moment, I swept out of my personal chambers and into the room from the door opposite his chair. Before he could stand or react, I bowed deeply before him as if to apologize.

He sputtered and gasped, not knowing what to do. The surprise perplexed him, as it does even the quickest of men.

I gently settled him into his seat before he became overwrought and poured him some tea, the set being brought in by my servant Beautiful. The tea was a prop to help him collect his thoughts, and for my many servants to gather more intelligence about the man. As his eyes followed my servant over the rim of his cup, the right eye of Shiva, the small statue of the goddess in the alcove behind the man, turned bright. The was good. It meant he had not been followed.

Once the appropriate pleasantries were over, I set down my cup and pushed it aside formally. Now we could talk.

Seeing my action, he set his cup down as well, and looked around the room, gathering his thoughts. I steepled my fingers and made my face a blank, waiting patiently for him to speak. I passed the time reminding myself he was paying me a ridiculous amount of gold for an hour’s worth of my time. Something like a week’s wages for every passing second. I could be patient all day at that rate. Thinking this, I found it hard not to smile.

The supplicant was young, lean. His eyes were beady, darkly recessed under a prominent brow – his nose pointed, protruding. A hint of blue could be seen on his chin, evidence of the dark thick beard that would grow there when he stopped shaving. He had a man’s years about him but they fit him awkwardly like a poorly made cloak. He had a single small ring on his right hand – brass from the look of it – and a small hoop in his left ear. Both were ornaments of little value, or my servants would have charged him more. There were no marks upon him, no indication of the twin comforts of marriage or children. That was good.

“I have come,” he said in the broken syntax of a speech too well rehearsed, “to ask… to beg you for your help.” He spoke the word ‘beg’ as if it were distasteful but then he gamely continued. “You see, I am an artist of some worth. Indeed I can paint quite well – better than most, or so I am told – but for some reason I cannot find favor with my work. Daily I see men and women sell their works, most of whom – like Sluggart and Montroval – having far less skill than myself and none of which are nearly as deserving. This perplexes me to no end. By all rights, the market should be clamoring outside my studio, begging to purchase my portraits, yet I cannot sell a single piece.”

He paused, to gather his thoughts. “I have been reduced,” he continued, “to the basest kinds of depravity – selling myself in horrible cruelty, the likes of which would chill your heart – all to afford the simplest of paints and canvas.”

This he confessed with the tone of a ravaged man, a broken man. A man who had seen great deprivation. A man to which the world had beaten most cruelly and viciously. It was heartening to see such pain at such a young age. Then his tone changed. I could see a fire slowly growing in his eyes. I knew he was getting to the point.

“This,” he declared, “this is not enough. This is not the life I wanted. I must have more. Tell me – please, please tell me, if you can – how I can become a painter. A painter of great renown? How can I become a master; the greatest painter of my age?”

He stopped, poised on the edge of his chair, almost panting from the effort of his speech. I flexed my steepled fingers the barest minimum necessary to indicate I had been listening. With great show, I closed my eyes as if in deep thought, forcing myself to an unnatural stillness.

Even with my eyes closed I could feel his discomfort growing. He needed me to react, needed me to tell him something, to let him know if his request was even possible. If he had any idea how many times I had heard this speech before, he would have run from the room, shocked to his very core. But that is the nice thing about the young: they are the first to assume exclusive ownership of an emotion and the last to read any history. It is, as my long life has shown, a profitable loophole to exploit.

Oh I knew the solution to his problem. People will buy almost any art, even if it is the poorest of craft, but they will never part with large stacks of their well-earned coin for a man whom they do not admire. For all of his complaints, this man had sold some of his art, at least enough of it to earn his way through my door. But his pride would always keep him from attaining his desires, just as surely as a rat can never eat his way out of a silo full of grain. Telling him the easiest way to solve his problem would only fall upon deaf ears and garner me no profit. And I never do anything that doesn’t show a profit.

Instead I opened my eyes in a flash, as if I just had a valuable idea, and then I conspired with him, demanding an oath of secrecy before I would continue. When his oath was freely given, I told him a shadowy legend from the depths of antiquity. Within the the weaving of this story, I laid out a simple formula, one my servants had discovered for me many years ago. Social popularity cannot only be learned but it can be tracked and even predicted, if given enough data and enough desire. It would take this man years to understand what I patiently described to him – the simplest of concepts being the most difficult to grasp – and even more years to put that knowledge into practice, but it would most certainly bring him great wealth. By the time my formula brought him his well-earned desires, he will have forgotten about me; believing that the ideas for it had come solely from his own head. I didn’t mind. I had a deeper game.

Even while I was giving him the secret to great wealth, the young man’s eyes kept darting over my head, his attention drawn again and again to a painting done of myself which hung over the doorway to my private chambers. It was a piece I had commissioned some years back for exactly this purpose. Indeed, with the exception of the Shiva statue and the tea set, it was the only thing I valued in the room. The likeness was more than good, it was uncanny. In it I was the embodiment of Wisdom; Wisdom personified. My face was serene and calm, looking down upon the seat of the supplicant, making them feel a spark, a secret thrill of the supernatural. One could almost see the portrait breathe, watch its eyes slightly track the movement in the room. It had a very definite sense of being alive.

When the hour was up, I had Duty and Faithfulness usher the young painter from the audience room. As soon as he was gone, I cursed the fool painting, as I walked back to my chambers and had my servants strip me of all my bold costumery.

 

*

 

Some years later, the painter returned. This time, rather than making him wait, I strolled right in and greeted him warmly like a brother; clasping his arms and sitting across from him on a less formal settee. My dress and mien were far less imposing, forgoing the fancy robes and perfumes for a simple yet elegant shift.

The man opposite me was far different from the boy who had come previously. His hair was now full and dark with just the hint of grey. His thick beard flattered his face but did not hide the girth of his soft cheeks. His eye was firm, yet kind, a man used to getting his way but not always by force. He wore many fine rings on his thick fingers, and both his shift and his jacket I noted were stitched with gold thread which was shone off to good effect by his ample middle. All this display of wealth came after paying me ten times the cost of the previous visit. He had greatly profited from my strange tale indeed.

This time, instead of Beauty, I had Duty serve us tea. The painter noticed her presence but not unduly so. Unlike before, he sipped his tea with a calm air and took what appeared to be much joy in sharing the pleasantries. As we chatted, the small Shiva behind him held first one, then two glowing eyes. This was even better. I now knew that the money he had paid for this visit was unencumbered by any bank or person. He had paid in cash without a loan.

This time when I placed my teacup down, pushing it away from me, he was ready to commence business. Without much of a preamble, he launched into the reason for his visit.

He was not happy, you see. Not happy at all. He was now a famous painter and was in high demand for his portraiture work. People came from all over the world to have him paint their likenesses, for it was said that he was able to catch the likeness of any subject and hold it most expertly. Indeed his craft had improved, or so he told me, but it was not as good as the credit which was afforded him. He found himself feeling more and more a sham, an adequate painter, somehow saddled with an excellent reputation. Worst still, the more people praised him, the more unworthy he felt inside, until he was at the point of stopping painting altogether.

This last part was said with his arm crossing his face in the most dramatic of poses. Of course he didn’t want to stop painting, he only needed to play the part. What he did want was something more. Something deeper.

“Your portrait,” he stated. “The one hanging above the doorway to your chambers. It has haunted me from the first I saw it. It is too right, too real. I swear to you, from over here it even looks to be alive. Yet it does not contain a normal life, for it is more than that. It looks to be moral, virtuous, pure. Almost as if someone had taken the very essence of wisdom and painted it upon the canvas – painted it perfectly.

“That portrait,” he continued, “that likeness has robbed me my sleep since the day I first came here. It has mocked every piece I have painted, its memory laughs every time I hold the brush. I have searched far and wide, spending more than one fortune seeking its author, seeking any other painting near its quality, and I must confess to you, I have found none, no one. I can find neither a painting of that intensity, nor one containing that much truth. I have to know. I need to know. I must meet the master of that work, the man whose work so surpasses mine. I must find out how it was painted. You see, I need to know how to paint like that. I will accept no other alternative.”

The intensity of the painter’s desire was palpable. He sat again on the edge of his seat, his fat cheeks flushed with emotion, his dark eyes penetrating, expecting. I must confess I sank into his terrible need for far longer then was strictly necessary. To be around raw greed of such intensity was simply thrilling.

When I was finally through enjoying his passion, I softly spoke. “The human eye,” I said calmly to him, “has a single spot in which can focus to any great degree. It is called the fovea and though it is but a small dot comprising less than a percent of the surface of the retina, all of our great focusing power comes though it. One cannot read the text of a letter or the flush of a young lover, without it. The rest of the eye is taken over with distinguishing the difference between light and dark or noting any type of motion but that is all. None of the rest can focus, can read, can bring clarity of vision.”

What I did not mention was that the fovea, while significant in its own right, was often eclipsed by another feature of the eye – the blind spot.

I paused, waiting until he showed he was following, if not completely understanding. “The trick,” I then told him, “is not to paint like the greater part of the eye, for that is what you have been doing, but to paint with the focus and intensity of the fovea.”

“But how,” he asked? “How can I paint with such intensity? How is that even possible?”

“It is a simple matter, more simple than you would believe possible,” I said. “To begin with, you must learn to paint with greater focus. Start by locking yourself in a dark room. Paint only with just the faintest of lights. Allow no other distractions. No models, no food, no conversation, no wine, family, friends, nothing. It will take many years, and a very great attention to discipline, but you will eventually sense a new intensity to your brushwork, a new focus.”

“Yes,” he said practically salivating, “go on.”

“It is at this point that things start to get interesting.”

I gathered up paper and pen encouraging him to take careful notes. I then went on to explain the techniques of focusing his energy into one thought, one emotion. “One must pick a single human trait,” I told him, “and hold it in one’s mind for days on end until it has shown for you all of its secrets. Only then will the properly focused brushwork come into play. It is at this point, at the apex of emotional focus, and intense brushwork, that the canvas will seem to take on a life of its own and so will the portrait.”

Entranced by the simple idea, the rich painter took his scrap of paper with all its careful notes and made his way from my audience room, this time escorted only by Thrift. The irony, of course, being lost on him. I could see he was thrilled at the idea of painting with such an intensity. Never once, in explaining this technique to him, did I mention the cost. He would find that out soon enough.

Leaving careful instructions to my servants, I slipped back into my chambers and busied myself about my day.

 

*

 

It was but a few years, perhaps six or maybe ten, before the painter came to visit me for a third and final time. The transformation from his previous visit could not have been more complete. He entered my audience room bent over, his feet walking in the slow shuffle of the infirm. His eyes were sunken into his head, his beard sparse and uncombed, his hair filthy and matted, all of its dark color overcome by a dingy white. His skin carried a grey pallor of one who does not see enough light or frequent washings. His fingernails were grey with dirt, thick black bands of neglect evident under each nail. He wore no rings or adornments of any kind. His cloak was ten years out of style and so encrusted with dirt that my first thought was he had picked it up from the bottom of an alley and put it on just before stumbling into my house.

I greeted him behind a desk, telling him curtly to sit down on the only available piece of furniture; an uncomfortably bare wooden chair. I did not speak to him for a full 25 minutes, instead I busied myself with paperwork. So great was his pitiful condition that the man did not think to complain about such obviously poor treatment to his person. And this after paying ten times the amount of his last visit, one hundred times the cost of the original!

But for all that his dress and wardrobe were rundown, neither of these transformations were nearly as terrible as the look his eye gave when I finally called him to attention. Gone was the youthful vanity of his first visit, and gone was the overweening pride of his second. In its stead was a husk of a man; a person so devoid of feeling, or any type of emotion, that he gave the very appearance of one of the many imbeciles that line the streets, begging for alms as they leave filthy trails of drool upon their dirty robes. Only by the slimmest of measures did his eye contain the spark of keen intellect like it once had. All else about the man, all the things that made him powerful, made him great, were stripped from him.

As I completed my paperwork, I kept glancing up at the small statue of Shiva positioned in the alcove behind the man. Right after he arrived, first one eye and then the other were lit. Finally, after a healthy portion of his hour was up, the third and final eye on the Shiva did glow. That meant there was no one left in this man’s life to know or care that he was here.

All was in order.

I set down my papers. “Why are you here,” I suddenly demanded of the man? My tone was brutal, uncluttered by the least bit of civility.

“I… I…” was all he could manage in response to my abuse.

“Did not my suggestions work? Did you not learn to paint truly amazing art? Did not your art live as it had never done before?”

I was mocking him. I knew the answer to this. In fact I owned several of his pieces already. His painting of Beauty was of a young girl, just on the cusp of womanhood, her brow untouched by the concerns of adulthood. She was perfect, unblemished, uncynical, not a mark of debauchery upon her. No matter how hard I had tried, no matter how grotesque and depraved my nightly ministrations were to her, I could not get her to change. She was a task well suited to my need.

“Come sir,” I shouted. “Do you have some complaint? Did you not employ my most special of suggestions? Did you not receive your money’s worth from each of your visits?”

Throughout this harangue he merely sat, head bent over, passively staring at me through his foul and besmirched hair like some poorly treated bovine or a dog beaten to the point as to not even whimper.

Then by chance his eye happen to fall upon the portrait over the door. That glance brought about in him the most surprising of transformations. In an instant he was up and moving, all trace of the prior passivity poured from him like a glass of wine over a white cloth. In a matter but two heart-beats he had crossed the small room, pulled out a nasty looking dagger from within his cloak and had thrust the dagger fiercely into the heart of the image. The portrait turned its body, the face never changing its expression, and glanced its eyes downward at the foiled dagger which had been obstructed by the fine mesh of metal wire that completely covered the front of the painting. Many times the man rammed the dagger unsuccessfully at the portrait – loosening with each thrust a cry of outrage so extreme, so acute, so filled with animal rage, as to shame even the wildest of the mountain cats. No lion claiming its territory, no shout from the mouth of a grizzled bear, could produce the level of rage as expressed by the poor man’s throat. It was if the man had been compressed, all of his thoughts, all of his feelings, all of his desires, had to be forced though the narrowest of lenses of a single solitary human emotion; that of rage. Like a piano with only one key working, all of his emotions, all the things that made him human, had been stripped away, save for the single key of rage. He was rage. All rage. Nothing but rage. It was all that was left to him, and he held onto it with a savage ferocity, a feral barbarity.

For some minutes he ferociously attacked the portrait with his blade. Each time the fine almost invisible metal wires thwarting his attempt, until finally frustrated and exhausted, he dropped the dagger to the floor and slumped against the wall in defeat. Wisdom continued to gaze down upon him, its face unperturbed. This was not the first time the wires had protected its painted form from physical attack, although that was not the primary reason for their existence.

When the painter was spent of emotion, Forbearance and Clemency gently gathered him up and softly lead him back to his chair. A second chair was produced and a small table was brought before him. My servants conveyed to us some tea and few snacks which they placed upon the table, along with a few lit candles even though the room was bright at this time of day. Before they left, one of them picked up the man’s dagger and set it near him on the table. After they quietly left, the painter and myself enjoyed the sweet aroma of our small repast in peace.

Barely able to hold himself upright, the painter sipped his tea slowly, holding the cup with both hands and savoring the flavor. As it was intended, the tea slowly removed the last part of tension from the man’s shoulders and neck. He grew more alert, more relaxed then when he had entered. It was as if the terrible attack had loosened some internal blockage, some terrible obstruction, allowing him to finally think and reason again like a man.

The painter placed his empty cup gently down into its saucer. I offered him more tea. He gave his head the subtlest of shakes, so I set the pot down again.  Then he slid his cup and saucer to one side and looked into my eyes.

“I figured out what you were up to,” he said flatly, with no emotion. “Oh it took me a while. The technique you showed me worked as you said it would.” He gave a slight chuckle, as dry as Autumn grass. “When I showed my first attempts to a gallery some three years after we met, the effect was astounding. So great was the outcry from the public that the gallery had to hire extra security and after a few days the paintings themselves had to be removed for their own protection. At any other time in my life I would have gloried in all the attention, but as you know, I was busy working on still another portrait. Thus fame and the fortune passed me without any concern on my part.”

He stared off into the distance for so long I feared he had fallen asleep with his eyes opened. Then rousting himself he continued. “I knew the portraits were special, different, I just did not fully understand how much so at the time. They don’t age do they?”

I nodded my head in agreement.

“I didn’t think so. I had modeled my wife for a portrait of Love and the likeness was like nothing I had ever seen. At first I thought my growing coldness to her was brought on by her jealousy of the portrait. It was only later I realized I could not love anyone else – my wife, my son, my friends, no one. It took me some time but I finally puzzled together what was happening; that each portrait became true because it took away from me whatever emotion or sentiment that it was expressing. With each painting I was cutting out a part of my soul and painting it onto the canvas as if it was my own blood. Worst still, I could not stop plumbing my emotions, could not stop irreversibly transferring them into paint. As the process continued, the time between paintings increased. What would take me a few days, now became weeks and weeks, as the few emotions I had remaining grew more and more difficult to focus upon. I grew intolerant of anything interrupting my work, ignoring my family and friends, my duties, anything but the canvas and each single emotion. Nothing else mattered. Nothing else matters still.

“Finally,” he continued, “I found myself in an empty home; all family and friends having long ago deserted me, at my behest. I have no Regret, I painted him years ago. I have no Pity, that left the canvas almost the same night it was finished. Fame, Love, Success, all of them gone. Sold for paints and for more canvas. If my wife had not concealed from me a large pile of money, left-over from those crazy days when the crowds closed down the gallery, I could not afford to be here now.”

He stopped to gather his thoughts. Everything he spoke had been true and was said without the least bit of emotion. He spoke casually of his own destruction, as if it belonged to someone else; a man to whom he did not know, nor had ever met.

“All I have left is Rage,” he added, “and I find him too elusive to paint right now. Everything is too much, too distracting. But that is not why I came here. What I came here for is to ask if there is a way to undo any of my paintings. To have part of my old life back – to somehow end their constant pull on my soul.”

He looked at me. His eyes flat, holding neither longing or emotion. Were it not possible, I would say he was not a human but some freakish automaton; a machine taking on the appearance of flesh, but having no more emotion than a chair or a table.

As he stared at me, his eyes suddenly grew large, the spark once missing now surprisingly bright. There was yet another emotion which he had not eviscerated from his soul: Surprise.

“Wait a minute,” he said. “Its been two score years or more since I met you but your appearance hasn’t changed in the slightest. That can’t be. You’re one of them, aren’t you?”

I nodded my head, enjoying his discovery even more than he did. His sense of Wonder having been painted out of him several years ago. He worked for me in one of my labs, along with many of my other servants, if I recalled correctly.

“I knew it,” he said! “I knew there was something special about you. Someone long ago painted you, didn’t they? You’re a portrait! You’re Wisdom!”

I shook my head slightly to let him know he was wrong, then I showed him my own special smile; the smile I am most careful not to show – not even in my own home – not unless all three eyes of the Shiva are glowing. It is the smile I was painted with many years ago.

They say the artist’s eye is quicker than the mind, that an eye can understand concepts faster than a mind can grasp. In his case, this was certainly true. I could see by his eyes that he had figured me out just by the smile.

“No, not Wisdom… “I told him still smiling that terrible smile, “Cunning.” As I spoke, I picked up his dagger from the table and quickly thrust it into his heart. His eyes grew huge as understanding suddenly plunged to his mind. I slipped my free hand around his neck and held him close to me, like a lover. His body pinned against his dagger, my face inches from his own. Still wearing that same cold contemptible smile, I clung to him with a grip of iron until the life slowly drained from his eyes. Then I carefully set his corpse down upon his seat and fell heavily into my own, the smile so hard on my face that it hurt.

 

 

Author’s Notes:

This is a short dark fantasy piece based loosely upon an idea Trevor gave me from one of his video games. In the game a character had the gift that everything they painted came to life. I wrote a note about this idea in my little “book of ideas” on May 3rd (2011), but didn’t think I would have time to work on it for a while. Then next day was amazingly productive as I finished up a longer (17.5k word) short calledIn The Root (which has yet to be edited). I had been working on that story for several months, and it was a relief to finally get it off my desk.

That night, this story (wisdom) kept spinning around in my brain, and the next day I had an epiphany about it while in the shower (shut up. Its where I do my best thinking). I whipped out an outline, and most of the ending in probably 30 minutes, and then finished the rest in two furious days of typing, cackling all the way. It would have been done sooner, but the voice is older than I usually attempt, and I found myself constantly glancing at my thesaurus for inspiration. Can you say subjunctive clause?

And yes, the protagonist is one smooth, oily, evil son of a bitch.

This story was such a joy to write. Partially because the character was really fun to attempt (for those of you who don’t know me, he really is nothing like me), and because the previous story, In The Root, took a lot of slogging to get though. I started that darn story three different times until I finally got it going right. After all that work, it was nice to do something light and easy.

Last Dance

A nice little ghost story to get your Halloween mood going. This one more sweet than scary. In Middle school I got to play in a Jazz Band, and I’ll smile over that experience to my grave. It also allowed me to look back with my adult eyes and imagine a different life…

Enjoy.

 

We were just putting away our instruments when the old man shuffled up. He was bent with spotted hands that looked like claws, and a thin wisp of hair covering his head. But he was also smart enough to be polite and kind. The $100 bill that he held up didn’t hurt either. There’s a saying among musicians, “I may listen to Jackson, but I’ll sit down with Franklin.”

It was early evening. Early for us at least. The hotel’s reception room closed up like the small town it sat in. The wedding guests all leaving well before 10:00. All except the old man and his ancient wife. We don’t mind, as a rule. We charge for the whole night, but will gladly only work part of it. Besides weddings are not a big draw for us. One can only play so many top 40 songs without having their heads explode. We were in town for the north east regional jazz band competition, and just happened to pick up this gig at the last minute when the guitar player from the band that booked the gig broke his hand in a bar fight.

Amateurs.

What settled the deal was probably the old man’s last word. He been rambling on about something to Billy, the alto player, and nominal leader. Something about the music of his youth or the like. I don’t know what, I was busy cleaning and oiling my slide. But my ears perked up when he finished with, “something that swings.”

Some of you may not know this, but swing is not just something you do while hanging in a tire under a tree. Swing is a groove; a sweat spot of rhythm specifically designed to make your toes tap and your butt move. Swing marks the heyday of the Jazz era. It was the hip-hop of its day. Immensely popular, the music all the cool kids danced to. Take a simple set of chords, add a melody made of sugar, a counter melody made of vinegar, and a bottom end thump made of sin. That is Swing.

And boy do we know swing. Our band could play dance tunes or show tunes because we were all competent musicians, but what we really liked to do, how we really let our hair down, was to swing. It was the one thing that drew us together, the thing that let us put up Sniggly’s (the drummer) drunken sprawls, or Rubio’s (baritone sax) preaching. We even put up with Billy’s amazing ego, because all of the band, every one of us, could swing. Let me tell you, that song is right. It don’t mean a thing if you ain’t got the swing.

So when the old man asked us for something with a little swing to it, it caught our ear. Like asking an author about his latest novel, ask a swing band to pull out the stops, and you’re in for a treat.

I could see the old man’s words hit the rest of the band like they hit me. Derek (tenor sax) let out a big old grin, and Hairy Z. (trumpet) did his little laugh. “Uh-huh.” The one that he saves for his brand of understated humor. I knew what he was thinking. “We can play it, old man. The only real question is can you take it?”

Really a Franklin would have been fine for us. After a couple of sets of crap music, we were ready to cut loose, like bloodhounds on a scent. The Jackson just made it that much better.

Billy looked around with that stupid grin of his, and saw the rest of us putting our instruments back together. “Yah,” he said, pocking the money quickly. “We can do that. Just one more dance you said.”

The old man smiled, and I swear his eyes lit up a bit. “We came here for our grandson’s wedding,” he said, “but it’s also our anniversary.” He looked over towards his wife, white haired, and crumpled on a couch near the corner. He must have seen something we didn’t because looking at her put a silly smile on his face. “Close enough anyways.” He said looking back at us.

“Tell you what,” Billy said. “We’ll play you a song. If you like it maybe we’ll play you another. How’s that sound?”

The old man smiled. “Good,” he said. “We’d like that.”

He shambled over to the corner with is wife, and we got ready to roll. Billy looked around and asked quietly “Autumn Leaves?” We glanced at each other, but no one nodded. “It don’t mean a thing,” Derek asked? Eyes all around, no nods. Finally Hairy Z. said “Rosebud” with finality. He was right, you could tell by the response.

We quietly tuned our instruments. Brass players warming their mouthpieces, and woodwind players wetting their reeds. The old man and his wife limped out to the small dance floor, one of those parquet affairs with four foot by four foot sections, that interlocked. It had brass edges to mark the slight slope transition to the regular floor. Portable and cheap, but good enough for a low budget wedding in a small town. Billy raised his hand when the couple got to the middle, and we all settled in. When he let his hand drop Sniggly rolled in with a nice fill, popped a rimshot, and started in with the brushes. Rosebud is a nice tune, moody and complex, like a deep red wine. It starts off simple, at least our arraignment of it, with an oboe (Billy) pulling the smooth and tasty melody out, warm and legato, like Liberace warming the crowd. The second time around the verse, Derek drops in a counter melody that starts out smooth and even, working the fifths and thirds like a dark chocolate under the oboe’s light caramel, but ends up more desolate, finding the bitter minor third out of the last chord, building up tension for the next verse. We do one more verse down tempo, with alto sax, and trombone (me) fleshing out the melodies. By the end, the entire band has slipped in, building the last chord thick and quiet. We stop for a second, and then bam, drop into the song at twice the tempo, fresh and sharp, all brass and hard edges.

I had been watching the old couple move while waiting to come in. They had started the song close, and hesitantly, like they were afraid to make a mistake. They were facing each other, standing like teens do when they are embarrassed; trying to recognize the song, and get a feel for how to move to it. When the song took off they got wide-eyed for a second. I could actually see the old woman’s eyebrows pull back. Then a devil-may-care smile hit her face, and a glow hit her eyes. Two beats in, their feet were moving, and move they did.

They started dancing in the simplest of steps. Exactly like you do when you haven’t danced for a while. But before long I could see them start to work in more moves as they warmed up. You could see the song working in them, slowly unwinding the kinks as their bodies remembered how to move.

When the song ended, they were panting slightly, with small pink dots on their cheeks, and eyes that glowed with all the happiness in the world. Billy called out, “Another?” They both nodded with enthusiasm. A good thing because I don’t think you could have stopped us. We had been penned up all day, and now that we had a chance to show our stuff, we pulled out all the stops. Without saying a word, Billy did a finger snap four-count, and jumped into the melody of “It don’t mean a thing.” We followed with a will, and the couple jumped into the song like they were made for it.

All of us in the band had been playing swing for years. We knew it, and loved it, like a mother loves her child. We’d started competing as a band some twelve years back, and most years we took the nationals. We were that good. But there is something different between playing for the judges, with their cold expert criticism of timing, tone, and style, and playing for a crowd. A dancing crowd. In all our years, all our practice, and perfection, we’d forgotten a simple thing: Swing is not only a style of music, it is a conversation between band and dancers; a mystical connection, a journey down the river of music, but one that is propelled by the power of dance. We had played well in a technical sense on many different occasions, but we had never played great. That is until that night.

The second song ended, and we dashed into the next, not even bothering to ask. We knew they wanted to hear more. We could see it. And the old couple, they danced like nothing I have ever seen before. They smiled, they moved, they gamboled across the floor. Their eyes remained locked on each other, while their feet tapped out a song of love with every step. You could see it in their bent backs that they had been married long and with a hard life at times. But they danced with all their joy, their happiness. They danced all the good things they had shown each other, and all to the rhythm of the song were we playing.

It was intoxicating to watch them. Absorbing. We would have played all night, and well into the next day, had they but asked. It was such a pleasure to see them move, to see them reach into our music, and make it come alive. It was the greatest gig we ever played. All the justification we would ever need for the sacrifices we had made. All the years of practice, all the stupid gigs, all the stares while carrying a large instrument case on the subway, all the rejection, the ready knowledge that we could be making real money, or be real players. All of it paid in full, in one night. It was our zenith, each of us realizing we were just barely good enough for this gig, and yet happy for the chance.

Finally, after what seemed like a few moments, but was actually hours, we stopped. The old couple had started to slow down, and let us know they could take it no more. As they walked off the small dance floor, we collectively let our shoulders slump. Each of us was bathed in sweat, and panting, as if we had just run a marathon. No one spoke. No one wanted to break the spell. Slowly, ever so quietly, we gingerly put away our instruments like people at a funeral. I could see that everyone was still thinking, still floating inward. Billy was polishing his alto, and staring off into space. Derek was sitting on his case, and smiling with an idiot grin. I put my bone away quickly, and helped Sniggly with his drums.

It was late, and the lights were turned low in the reception hall. For the first time I noticed the hotel workers standing around. Bored kids glancing at their watches, and wanting to go home. I wondered briefly how long they’d been waiting, and then laughed.

Harry Z was all perplexed. Sweat had pushed his thin hair back from his round face giving him a look like he’d been driving all day in a convertible. “What?” he asked, as we loaded up the van.

“Nothing,” I said pointing at the hotel staff.

“Think the squares didn’t like our impromptu concert?” he asked.

“Nope. Don’t care one way or the other,” I replied.

He looked at me for a moment, and then laughed. “We’ll make a musician of you yet, mother,” he said, using my nickname.

Sniggly had all of his kit in the van by then, so I decided to go back in for one more idiot check. Instruments are expensive to ship if you leave them behind.

I was just finishing up when I saw Billy enter the room. Everyone else was outside, smoking a cigarette, or talking off their energy. I saw him wander over to the old couple who had by then slumped into a sofa in the back, leaning on each other. I didn’t blame them. I don’t know how they kept up, at their age. Dancing that long had to have been exhausting.

When Billy reached them he stopped a few feet away, and said a low thank you. He didn’t want to disturb them but needed to say something. I paid attention because Billy wasn’t always the best with his words. The man could play a sax like a dream, but often put both feet in his mouth when it came to talking. That was why the other guys called me mother. He ruffled the feathers, and I smoothed them. Whatever it was he said, the couple didn’t respond. They sat their leaning against each other, eyes closed, and smiles on their faces. The sofa was far enough back in the corner that it was dark, and difficult to see from where we played.

Billy said something again, and got no response. By then I was hurrying over, knowing he might say something stupid if he thought they were ignoring him. Before I could reach him, Billy took a hand, and touched the old man on the shoulder. In his other hand I could see he was holding the Franklin. I was touched that Billy, usually a selfish prick, would care enough to give the couple back their money. It was a gracious call on his part, one I was sure the rest of the band would agree to. He was just about to touch the man again, when he stopped and did a double take, pulling his hand back suddenly as if he had been bit. By then I was right beside him.

“What?” I asked.

“Dude,” he said startled by my sudden arrival. “There’s something… that ain’t right.”

“Huh,” I said.

“Cold. He’s cold.”

I reached past Billy, and gently touched the old man on the shoulder. He didn’t react to my hand. I touched him again, this time saying, “Excuse me sir,” but he didn’t move at all. Neither of them did. Then I noticed something on my palm. Under his suit, the man, his flesh. It was cold. Ice cold.

I jerked my hand back, and looked at Billy. “Shit,” he said. “We better call an ambulance.”

By the time the coroner came the night was shot. The local sheriff showed up and took our story. He had with a mustache so big that Billy swore the man a was pedophile. It was all I could do to keep Billy and the other guys from laughing at him. Idiots. It was bad enough being a stranger from another town, let alone a musician.

Right before the coroner left he took me aside, as Billy was pretty out if it by then. “You know,” he said without introduction, “rigor had set in.”

“Huh,” I asked?

“Rigor,” he said. “When you touched them, rigor mortis had set in.”

“What’s that mean?”

“Don’t you watch TV,” he asked, “C.S.I.?” giving me the look small town people reserve for outsiders.”

“Ah no,” I confided. “Don’t have time for it much.”

“Hum,” he said. “What it means is they were dead for a while. Long enough to get stiff.”

“How long does that take,” I asked?

“It depends,” he said, “on a lot of conditions. Temperature, humidity, type of death. Usually it takes hours.”

“Hours! But… how can that be. They were just over there,” I said pointing to the dance floor. Someone from the night shift had started picking up the parquet pieces, and stacking them for storage. Now they were a jumbled pile with yellow police tape surrounding them.

“I don’t know, hot shot.” he snapped. “You tell me.”

We stayed in town the next day, at the request of the sheriff, but by evening he let us go.  Fortunately he knew the night staff at the hotel, or we might still be there today sitting in his jail. Their story matched ours, or was close enough that they let us go. We traveled the 10 hour trip back home in silence, none of us knowing what to say.

Not long after that, Billy took a job waiting tables, and Derek got a regular broadway gig. Harry Z moved out to California, and Rubio became a missionary somewhere in South America. Most surprising of all, Sniggly finally sobered up, and moved back in with his wife in Connecticut, taking a job in construction. Of all things, I got a teaching gig at the local middle school, and started enjoying the benefits of a regular paycheck, which tickled Harry Z to no end. We still talk to each other, and write a bit on the internet from time to time, but none of us, not a single one, has ever attempted to swing again.

Halloween is almost here

Do you like ghost stories? I do. I don’t collect them like I used to, but I still read them. For some reason I’ve never become a fan of horror fiction, but I like ghost stories. I guess there are limits on how much blood I can take. I noticed Trevor likes them as well. Both in written form and in graphic novels.

Each year I usually finish a good ghost story near Halloween. In 2010 I wrote a ghost story about an old couple swinging to a big band called Last Dance. Since I don’t have a Fiction page up yet on the new site, I think I’ll just post it here tomorrow. If you’ve ever played in a jazz band, you’ll probably enjoy it.

This year my Halloween story, complete with zombies and lots of blood, is still under construction. So I think I’m going to release another story, one I finished in 2011, called Wisdom. I’ve yet to find a home for it, so here is where it will sit. Look for it on Thursday.

Do you have a favorite scary story?

2,700 words of progress

Spent a long part of the day working out ice age water levels for San Francisco bay, where someone would put an elusive and somewhat troubling religious order of scientists in San Francisco, and how a Pope might sweet-talk a Dominican who takes his vow of poverty seriously, into wearing a rich and gaudy outfit.

And that was chapter 1.